The University of Chicago Summer
Visual Language: On Images (11)

Visual Language: On Images (11)


Course Status: Open

Pre-college applications are now open. Join us this coming summer!

Course Code

ARTV 10100 11

Course Description

Through studio work and critical discussions on 2D form, this course is designed to reveal the conventions of images and image-making. Basic formal elements and principles of art are presented, but they are also put into practice to reveal perennial issues in a visual field. Form is studied as a means to communicate content.

Topics as varied as, but not limited to, illusion, analogy, metaphor, time and memory, nature and culture, abstraction, the role of the author, and universal systems can be illuminated through these primary investigations.

Students must attend the first two class sessions to confirm enrollment.

Course Criteria

This section (11) runs for three weeks, focuses on painting and drawing, and will not require museum visits or fieldwork. ARTV 10100, 10200, 10300 meet the arts core requirement and may be taken in any order. This course fulfills the general education requirement in musical, visual and dramatic arts.

This course is primarily comprised of undergraduate students. A select number of places are reserved for advanced high school students.

The cost of this course for pre-college students is $4,980

Instructor(s)

Scott Wolniak

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Session

Session 2

Course Dates

July 6th - July 24th

Class Days

Mon, Wed, Fri

Class Time

9:00 am - 12:30 pm

Eligibility

11th Grade, 12th Grade, Undergrad

Core Course

Part of UChicago Core Curriculum

Modality

Remote

Other Courses to Consider

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  • Drawing and the Making of Architecture
    Drawing and the Making of Architecture

    This course focuses on the practice of drawing in the making of architecture. It explores the act of tracing lines on a surface as the foundation of design: a word that evokes through its own origins the very moment of architectural invention. As the most direct expression of the architect’s ideas and an operative form of non-verbal thinking, the physical response of the hand to media contributes crucially to the creative process.

    This intensive studio experience will offer an unmediated encounter with a range of techniques: we will test different tools and conventions to understand the interaction throughout history between drawing’s materiality and design practice. Parallel to this, we will discuss a wide selection of readings critically, thus reconstructing the evolving theory of representation in architectural writings and the relevance of graphic expression to both theorists and practitioners.

    Ultimately, the course will introduce students to norms and conventions of technical drawing by revealing a primary tool in the production of architecture from the point of view of its makers.

    Residential